Richard Wollheim - WikipediaIt furthers the Universitys mission by disseminating knowledge in the pursuit of education, learning and research at the highest international levels of excellence. This publication is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. Second edition, Cambridge Philosophy Classics edition. Eldridge, Richard Thomas, writer of preface. W64 Cambridge University Press has no responsibility for the persistence or accuracy of URLs for external or third-party internet websites referred to in this publication, and does not guarantee that any content on such websites is, or will remain, accurate or appropriate.
Whitney Davis: Pictorial Art and Global Psychological Modernity
We can make judgements of quality and judgements of interest. Judgements of quality record our responses to details of execution, they are based upon our sensibility or taste, and they aim at being independent of information about the work. Judgements of interest, by contrast, presuppose a knowledge of the art concerned and its structural requirements, and they record how the artist achieves meaning for the work through exploiting these requirements. This talk will attempt to show, in the case of drawing, meaning is characteristically achieved through establishing a tension between the essential features of the art. What these essential features are is determined by tradition: specifically visual tradition.
During —85 he was Professor of Philosophy at Columbia University and then at the University of California at Berkeley from to Wollheim produced two major philosophical works that are concerned with art. Art and Its Objects and Painting as an Art His underlying argument is that in order to have any clarity in aesthetics, we will have to do some work on the ontology of art. Wollheim could not quite bring himself to relinquish the precept that art is something that requires material embodiment. His view was that in so far as there is an internal connection between a medium and its artistic or aesthetic effects, then the argument that there is a general and non-circular distinction between the aesthetic and the non-aesthetic properties of art must be false.
The philosopher Richard Wollheim, who has died aged 80, belonged in the top echelon of thinkers who redefined the practice of his subject in Britain and the United States after the second world war. In terms both of the clarity of his writing and the acuity and ingenuity of his arguments, he embodied the intellectual virtues of analytical philosophy. But in terms of what engaged him as a philosopher, he stood far closer than any of his peers to continental thought. Wollheim had little interest in donnish preoccupations with linguistic usage, or with the endlessly agonising issues of how language relates to reality. But he freely adapted some of the strategies worked out in addressing these issues to the problems that did engross him, which typically derived less from what other philosophers said than from what was central in his life. As a philosopher, he was, for example, deeply engaged with issues that were central to the visual arts. But art - and especially painting - was of the greatest importance to him as a person, and his relationship to it was far wider and more immediate than was typical of those relatively rare philosophers of his stature who bothered with aesthetics and the philosophy of art.
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Richard Arthur Wollheim 5 May — 4 November was a British philosopher noted for original work on mind and emotions , especially as related to the visual arts , specifically, painting. Wollheim served as the president of the British Society of Aesthetics from onwards until his death in He retired from that position to take up professorships, first, at Columbia University —85 and then the University of California at Berkeley — He chaired the Department at UC Berkeley, — On retirement from Berkeley, he served briefly as a guest lecturer at Balliol College. Wollheim gave several distinguished lecture series, most notably the Andrew M.