Prelude and Fugue in C-sharp minor, BWV - WikipediaThe young prince only twenty-three years old in was a viola da gamba player of great skill and had an eighteen-piece orchestra of excellent caliber. Only a few cantatas were composed to celebrate royal birthdays and special occasions. He was now expected to produce secular instrumental music, and he did so, as was his custom, with great energy and all his heart and soul. Bach and the prince became close friends, and he often accompanied the prince on his journeys. Upon returning from a trip to Karlsbad in , Bach was confounded by the news that his wife, Maria Barbara, had died and was already buried. Their marriage was celebrated on December 3, , with four barrels and thirtytwo carafes of wine — almost a hundred liters! As his duties at court were not totally time-consuming, Bach was able to devote himself to the musical education of his family.
Prelude and Fugue in C-sharp minor, BWV 849
It is the fourth prelude and fugue in the first book of The Well-Tempered Clavier , a series of 48 preludes and fugues by the composer. The solemn and expressive, recitative character of the melody is reminiscent of Bach's passion music. A direct relationship between the prelude and its fugue, while not readily apparent, is hinted in the long-held durations of the bass in the first ten measures. The prelude's most memorable motif is an ascending octave leap, which is heard throughout the piece. At measures in length, and in five voices , this is one of Bach's longest and most densely-crafted fugues. While it contains three themes , it is not properly structured as a triple fugue because only the first idea receives exposition.
Tonic Chord May 5, Bars Period I.
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It is the second prelude and fugue in the first book of The Well-Tempered Clavier , a series of 48 preludes and fugues by the composer. The prelude is 38 bars long, and consists mostly of a repeating motif. The motif consists of running sixteenth notes in the form of broken chords in both hands. Below are the first four bars of the prelude:. The prelude continues like so for 33 bars, with different harmony and changes of key. The coda begins at the 34th bar, where a sudden change of texture and tempo occurs.